British Cinema

Prompt: Explore the critical importance of class in British cinema, being sure to weave in other social, cultural, and political factors that apply (some examples might be immigration, gender, and colonialism). In your response, you should plan on discussing class as depicted in at least two of the films we screened this quarter. References to how class intersects with different genres in different ways would also be helpful. 
Some films weve screened: 
WWI; Paths of Glory, Shoulder Arms
WWII;  Hope and Glory, Mrs. Miniver, Empire of the Sun
Cold War + Spy Film; From Russia with Love, The Mouse on the Moon
Adaptations form Playwrights to Films; Oliver Twist, Hamlet, Henry V, The Man Who Would Be King
The Archers Films; 49th Parallel, The Life and Death of Colonel Blimp, A Matter of Life and Death, Black Narcissus, The Red Shoes, The Tales of Hoffman, Age of Consent
Ealing Studios Films; Kind Hearts and Coronets, The Man in the White Suit, The LadyKillers
Monty Python Films; Life of Brian, Search for the Holy Grail, Meaning of Life
Hammer Horrors; Gorgon, Cure of the Mummy Tomb, Scream of Fear, The Wicker Man
Spy Films; Spy Who Loved Me, Tomorrow Never Dies, James Bond, Spy Who Came in From the Cold
Musicals; Tommy, Yellow Submarine
Romantic Comedies; Tom Jones, Four Weddings and a Funeral, Bridget Jones Diary, Love Actually
Underclass Films; The Full Monty, Brassed Off
Gangster Films; Lock Stock and Two Smoking Barrels, Snatch, RocknRolla, Layer Cake
Scottish Cinema; Shallow Grave, Trainspotting, 28 Days Later, Slumdog Millionaire
Rural-Irish Films; The Quiet Man, Waking Ned Devine, Man or Aran, Secret of Roan Inish
Urban-Irish Films (Criminal gone good); Devils Own, Prayer for the Dying
Urban-Irish Films (Fighter against injustice); Michael Collins, The General
Urban-Irish Films (Victim punished by societal institution); My Left Foot, The Boxer, In the Name of the Father
Neil Jordan Films; Mona Lisa, They Crying Game, Interview with the Vampire, The Butcher Boy, Breakfast on Pluto

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